Tag Archives: children

Boys – Part III

“No!”

“No, wait!”

“NO!” After yelling in unison the boys fell backwards onto their sleeping bags. The television screen turned from blood red to black, followed by the slow silent scroll of the credits to the 1957 terror classic, The Cult of the Bleeding Eye.

“You’ve got to be kidding me,” Taddy said. “What a rip job!”

“Dumbest movie ending ever,” said Gunther, as he popped the last bit of his pizza crust into his mouth. “I’m officially removing that movie from the ‘classic’ list. I mean … you can’t kill everyone at the end with a giant explosion.”

“Right,” said Taddy.

“And, what the heck happened to the eye?”

“I dunno. I’ll bet it hid in that cast iron stove,” Taddy said.

“What for?” asked Gunther.

“Duh, to not explode.”

“How would it close the door?” asked Gunther. “It was just an eye.”

“It was just stupid,” Taddy said, sitting up. “Except that part where the eye attacked that those people in the park.”

“That was classic,” said Gunther, jumping to his feet to playact the scene. “Tell me Julia, what’s wrong? You look … scared.” As quickly as he got to his feet to recite the line, Gunther jumped to his left to take the form of the worried heroine, his voice high and his pose demure. “Oh, it’s nothing Cliff. I just … I just … can’t shake the feeling that we’re being … watched!”

“Ah – ha, ha, ha, ha!”

The boys both tumbled down to the floor, laughing hysterically.

“Aaaaah,” said Gunther, “And, there was the bleeding eye trying to hided behind that one little pine tree! Ha!”

They laughed until a couple of deep and hearty sighs brought them to base. While easy to make fun of, the movie did provide them with a few jumps and “eeews,” that set a perfect tone for the evening. In the hour and forty-three minute running time, they laid waste to the pizza and corn chips, had dug deep into the bag of popcorn and finished off two Gremlin colas apiece.

“So, what’s next,” asked Gunther.

“Well …,” said Taddy, as he reached under his sleeping bag. “I found this in my dad’s office.”

“What is it?”

Taddy held up the box.

“No, waaaaay,” said Gunther, pulling the box from Taddy’s hand and pulling it close to read. “Video Hell – Unrated. Featuring twelve shocking minutes not allowed in the theatrical release!” He looked at Taddy. “Tell me we are watching this.”

“We are watching this!”

“I read that this movie was so scary, people died while watching it in the theaters,” said Gunther slowly as Taddy pulled the disc from the box and slide it into the player tray.

“I don’t know if they died, but Boosh Tompkins said his older brother totally crapped his pants he was so scared.”

“Crap,” Gunther whispered in awe.

“Exactly,” said Taddy. With great flare he pointed the remote down at the machine and hit play. This time, the large screen faded from black to blood red.

Outside, the storm was building strength and anger.

 

Doll – Part X

Doll – Part X

Margie drove the car as Chalmers sat quiet and uneasy in the passenger seat. The doll sat on his lap staring straight ahead as he did. They followed Officer Granger through town and to the northern end of the Cardington cemetery. It was the southern end of the cemetery that suffered the most damage. While it was the most picturesque part, with dense trees lining the banks of the Marklin River, the hill on which the tombstones sat proved no match for the heavy waters which ravaged the town and the surrounding counties.

Chalmers never made this trip before. He stared out the front windshield as if staring into his own end. He struggled to calm his heart which itself was being ravaged by sorrow, apprehension, guilt and a reborn sense of loss. It was only Margie’s gentle hand and soft silent urging which got him this far.

The cars pulled up to a large tent and stopped. There was a flurry of activity as workers and volunteers focused on the task of bringing resolution to this most unfortunate disaster. One portion of the tent was set up for viewing and identification. As Margie stopped the car, Chalmers saw an older woman being helped into another vehicle nearby. He guessed her sobs were the result of her own reopened wound of loss.

Granger walked back to where they were parked. He opened Margie’s door and offered a hand. He followed behind her respectively as she walked to Chalmers’s door. He continued to sit with the doll both staring forward as she swung the door open. He only moved after she placed her hand on his shoulder. As if she activated some sort of on-off switch, the power of her strength and support carried him out of the car.

The tent sat about twelve paces from where they stood, but for Chalmers the space expanded to appear like miles. Margie looped her arm inside his and when he was ready, they took their first steps. Each footfall sounded in Chalmers’s head like a steady heavy drum. Any sounds from the area, birds or the wind in the trees, were effectively blocked by the sound of his own heartbeat.

Granger opened the panel to the tent. Inside sat a line of folding chairs and a long table draped with a sterile white sheet. Underneath…

Chalmers stopped at the tent opening. His eyes fixed on the table and tiny mound that sat hidden by the sheet.

Margie waited. She felt the heat of anxiety and panic coming from Chalmers. She waited. With an attempted deep, but shaky breath, Chalmers took a slow, tentative step inside.

Once they made it to the chairs, the officer and an assistant pulled the sheet back for viewing. Chalmers stared at the ground and the trampled grass beneath his feet.

“Oh,” Margie said, beginning to cry. There was little that lay before her that could remind her of the beauty and grace that was her daughter, but having selected the dress for her, while time had stolen it vibrancy, the memory was clear. “Oh … my Paisley.”

Chalmers continued to sit stoically with his eyes glued to the ground. Margie’s soft sobs filled the hollow space. His breath was fast and heavy. A bead of sweat dripped from his forehead and down the side of his face. While he knew he was in a chair firmly attached to the ground, he felt as if he were standing on a tiny ledge outside a high-rise office building window. Half of him was urging him to jump. Half of him was urging him to run, to wake up from the nightmare and just run.

Suddenly, Chalmers stood bolt upright with a speed that made him slightly dizzy. Margie reached for him then stopped. Her hand hung in the air reaching out for him, but she held it there as he staggered forward one step and then another. As if some force where trying to pull him back, Chalmers fought his way to the edge of the table.

Officer Granger, who had been standing near the back started to approach, ready to act or react as needed, but Margie waved him back.

Chalmers had his eyes closed tight. As one hand he clenched the doll, the other gripped the edge of the metal table as if it were the only thing that prevented him from falling into a pit of his own demise. Heavy, panting breaths escaped him. Tears, squeezed from his eyes and his nose began to drip.

Slowly he raised the doll, and brought it down to the fragile array of remains that sat before him. Gently, he placed the doll on the table. Slowly he dared to open his eyes.

Before, on the table, was not a small pile of bones expected, but the smiling face of his beautiful Paisley, smiling at him. He sobbed a great sense of relief, as he tried to smile back and show strength for her. A small laugh escaped him. He looked down at the who in the moment he set her down, had transformed into the beautiful toy, her daughter loved so much. Two clear blue eyes stared back at him and the clean eternal smile greeted him even as his sight grew bleary with even more tears.

“Thank you, Daddy.”

The words reached as clear as if they were spoken and not imagined, but maybe they were. He smiled again, the best he could. “You’re welcome Pumpkin,” he whispered.

“Daddy, I love you.”

Chalmer’s whispered back, “I love you too. I’m so … sorry.”

Then, as if tucking her in for the night, like he had done so long ago he raised sheet to her chin and stared her one last time.

“Goodbye,” he said. “Goodbye my sweet love.”

He turned away from the table then and completely drained of whatever strength he could ever muster. He dropped to his knees.

Margie, who had stood to move behind him, caught and much as she could and helped to guide him gently down to the ground.

Again, they sobbed together, and they held each other, with only the future before them.

The end.

Karrington Kipper

Karrington Kipper magnificent skipper,

Skipped all through the night and the day.

She skipped down to breakfast.

She skipped off to school.

She skipped through the garden on her way to play.

 

She skipped over puddles,

She skipped over bridges,

– through showers of April and flowers of May.

She skipped through the dark and the dangerous forest

– a trick that she learned to keep monsters at bay.

 

And if she was lonely or down in the dumps,

Or hurting, or angry, or blue,

Karrington Kipper, magnificent skipper

Seemed always to know the exact thing to do.

Her skips became bigger, or smaller, or louder,

or faster, or slower, or timid, or prouder.

 

She’d skip and she’d skip

and she’d skip, skip, skip, skip,

– until all was as well as it seems.

Then she’d skip off to bed and cover head,

so Karrington Kipper could skip in her dreams.

That’s Crisco!

Jake kicked his heels into the dirt at the base of the tree and leaned deeper into the shade. Biscuit sprawled out on his back across the grass and pulled his ball cap over his eyes to keep out the glaring summer sun. It was another glorious summer day, but after hitting the ice cream truck, riding their bikes through Mrs. McCatanney’s sprinklers and then all the way across Montgomery Field, they found it was a good time for a break.

“We should invent our own language for stuff,” Biscuit said

“What do you mean? Like a code?”

“Kind of, sort of, not really. A code is something that only we would use. Like when we came up with ‘Sparlez.’ We had Charles, who is a spaz, and we mixed them up to make Sparlez. That’s a code. If we made up a language, everybody could use it.”

Jake squinted up the sun then clamped his eyes shut. He traced the remnant aura back and forth under his eyelids. “Oh, you mean like how people say, ‘cool.’”

“Yeah.”

“That’s dumb. Why would we do that? Who would use our language?”

Biscuit rolled over onto his elbow letting his hat drop to the ground. “If it was good enough, everybody would use it. We’d be famous!”

“You’re a dork.”

“Shut up. And you just proved my point. Who do you think came up with dork?”

“I don’t know. Some dork. He’s certainly not famous.”

“Just because we don’t know him, doesn’t mean he’s not famous for coming up with the word. That could be us.”

“You want to be a dork? No, a ‘dork-maker’?”

“No, I want to make cool names for stuff that other people will use liiike…Crisco!”

“You are now a super-dork!” Jake said laughing and resetting his feet. “Crisco is already a word.”

“Yeah – but we can use Crisco to mean something is slick. ‘That’s pretty Crisco!’ That’s pretty slick. See?”

Biscuit rolled over onto his back again and reset his hat.

“How about, gelatinous?” Jake said.

“Hm…gelatinous,” said Biscuit. “Good word, but what’s it mean in our language? Use it in a sentence.”

“Ok.” Jake paused in thought. “The plan to get Jerry Brigg’s Jonathan Tyler rookie card was gelatinous. It means, the plan is good, almost super solid and can work, but it might be a little shaky.”

“That’s not bad,” Biscuit said. “How about, needs soap? Like, you know how Chester Ding always smells like armpit? We could just say, ‘needs soap’ and leave it just like that.”

“That’s like code.”

“I guess, a little,” said Biscuit. “At least until it catches on.”

“I don’t know,” said Jake. “It all sounds pretty paper to me.”

Biscuit sat up. “Paper?”

“Yeah, paper, super thin. Probably not going to work. See what I did there?”

“I see. That’s Crisco!” Biscuit said pulling himself up. “Let’s go write these down. It’s too hot out here.”

“You mean it’s…solar!”

“I guess. Let’s go.”

“Don’t you mean let’s…zoom?

Biscuit straddled his bike. “I think I created a monster.”

“Do you mean you created a…jumpdog?”

“Shut up already!”

“Are you telling me to…pop mouth?”

“Come on! Shut up! Let’s go…let’s Zoom!”